Even More Disgusting

I think this is the final version.

Concept: Rev.Exp.4
This revolting little critter wanders the paths between stony cliff side caves. Inside his exposed ribcage lies a orb that emits renewable high power energy. Sadly, this power source also causes his vision to fail, skin to flake, and fibrous sensors in its mouth and feet to bleed continuously.

The Penguin

Ten Ton sketch challenge prompt again.  I've never drawn the Penguin, but thought he was creepy enough to try.  I started with a base of reference using nature photos and some images from comic books.  I tried to make him more penguin and less like a man dressed as a penguin.  1 hour painting session compressed into an 11 minute video.  One of these days I'll record audio commentary over one so I can explain a bit better why I did something or how something is not working for me.  For now, you get the silent treatment. :)

More Disgusting

I just wasn't happy with the way this was sitting in its world.  The textures were fighting for dominance and the area felt "blah".  So, I reworked the background to open the space, make it feel more of a bizarre local.  I also adjusted the colors and texture on the ugly critter, too.

Concept Art: Disgustingly Valuable

Over at ConceptArt.org they have a Creature of the Week (COW) contest. I've never participated, but thought I should give it a shot. The prompt was to design a creature that is disgusting to look at or be around, but has something very valuable about it. In my case, it's the glowing orb tucked in around the exposed rib-like bones of it's back.

Woman in Chair speed painting

Another speed painting based off of photo ref from Ten Ton. Not sure if speed is the right term since I did put about 40 minutes into this one, but it was done with the mentality of working fast and not using tons of layers and blending modes like I would in a finished piece.

Speed painting

Ballpoint, over on the Ten Ton Studio board started a speed sketch thread with some reference pics and instructions.  (Check it here.)  I thought it was a good idea.  Here is my first attempt.  I got camera shy and made some odd mistakes that I wouldn't do if I wasn't recording and focusing on speed.  Still, it ended up about 20 minutes long.... way over the 10-15 recommended, but I'll get faster.  I sped up the video 500% so it only takes 4 minutes to watch.  Lucky you. :)

Cintiq fun

I've been trying to spend more time with the greatly creative folks at the Periscope Studio in nearby downtown Portland, OR.  I go on most Thursdays now and have spent my time sketching at a small central table soaking in the creativity and camaraderie of  the crew there.  Today was a little different.  There were some Wacom employees there talking product, taking pictures, and just interacting with their customer base.  Most of the artist at Periscope Studio have a Wacom product of some sort, mainly Cintiq 12WX's and a few 21UX's.  They also have a computer room that houses a few Macs attached to more 21UX's. Yes, it is a truly awesome sight.  Which brings me to today's art post.  Since I'm not a member of the Studio I thought I'd bow out of the interviewing area and went to play on one of the open 21UX's.  A few minutes of getting used to the glass thickness of the monitor and quite a few more minutes getting used to a Mac (I use a PC at my studio) and I was up and drawing.  I've never felt anything like it.  The sensation of working on screen was so natural I'm not sure how I'll go back to my old model Intuos 2.  In about 2.5 hours this is what I came up with.  Not the greatest drawing, and evidence that I really should thumbnail first, but it was so much fun working on the Cintiq that I wanted to post it.

Done in Photoshop CS3 with Cintiq 21UX.